Kishkindha Kaandam

Rating: 4 stars out of 5
Starring: Asif Ali, Vijayaraghavan, Aparna Balamurali, Jagadish, Ashokan
Where to watch: JioHotstar
To watch or not to watch: This movie is like an onion – it has layers and will make you cry

Ajayan (Asif Ali) is a forest office who lives close to a reserved forest with this second wife Aparna (Aparna Balamurali) and elderly, retired army officer father Appu Pillai (Vijayaraghavan). Ajayan’s first wife passed away a couple of years back from cancer and his son is missing. Ajayan travels far and wide across the country everytime he gets any news of his missing son. Recently his father, who used to be very alert and sharp, has shown tendencies to forget things, even his licensed revolver has gone missing and there is an investigation underway. Aparna has noticed Appu write things in notebooks and then burn them after a month or so. She discusses this bizarre behaviour with her husband but gets more questions than answers.

It is difficult to describe what happens in this movie, it is all a bit bizarre, until the last act when everything comes together quickly and quietly, like a puzzle piece and it all makes sense in an “Ahhaa” way. The three main characters are believable and understandable – the proud old man unwilling to bend to the effects of old age but unable to stop them, the concerned son with the weight of the world on his shoulders and his new wife who is trying to understand her new environment and adjust to it all like a true superhuman. Along with them are some friends of the family who together fit into the puzzle too.

There is a certain simplicity in good Malayalam cinema which lends a sense of reality to the movies. And this is specially true for Kishkindha Kaandam – the actors depict a very average socio-economic stature and lifestyle. Their characters have friends they have known all their lives and who know them in turn. Despite that there are undercurrents throughout the movie related to the characters differently. Goes to show the wide expanse of human relations and emotions. There are also some deep-rooted moral questions faced by the characters, which they cannot reveal to others because there is humanity, love and sense of protection. As much as the movie is about the thrill, it is more so about the humanity of it all. It will require patience as it is a slow burn, but the understated climax makes up for it.

Sookshmadarshini – an entertaining, fun thriller

Rating: 4.5 stars out of 5
Starring: Nazriya Nazim, Basil Joseph, Akhila Bhargavan, Merin Philip, Deepak Parambol, Pooja Mohanraj
Where to watch: JioHotstar
To watch or not to watch: Oh it is a must watch. It is a fun and thrilling ride.

Priya or Priyadarshini (Nazriya Nazim) is a homemaker and an aspiring professional who lives in harmony with her husband, daughter and group of ladies around the neighbourhood, where they are always into each other’s business. When a new neighbour Manuel (Basil Joseph), with his sick mother, moves next door to Priya, her curiosity peeks its head. Manuel is a people pleaser and very well to do, managing his family’s bakery. His mother is said to have dementia and is thus a recluse. Priya finds that suspicious as she has seen the mother walking around their property, seemingly in full control of her senses. One day the mother walks out of the house and is subsequently lost, but Priya is sure she has seen her in the house, leading her to conclude that Manuel is holding her captive, but none of her friends believe her. In the parallel, Manuel is indeed cooking something with the help of his uncle and his doctor friend who is treating his mother. What is the plan? And why such elaborate facade in a gossipy and nosy neighbourhood?

This movie is not trying to hide things. We know there is something crooked about Manuel, we know Priya has seen his mother easily carrying out daily tasks without any hint of confusion and that he has fed a monitor lizard as beef to his neighbours in a party (gross!!!). But there is still a sense of urgency, a sense of confusion and an eagerness to know the truth throughout the film. Priya appears to be a very loving mother and wife, who is frustrated at not being able to bag a job and is bored as a homemaker. It is understandable when people don’t believe her, but as an audience member you get frustrated on her behalf. This is movie is that engaging. It is so much fun too, as Priya makes a cartel of sorts of the other stay-at-home ladies of the neighbourhood to aid in her investigation. It goes to show that minds can work in mysterious ways.

The end of the movie is gratifying, though albeit convoluted. It is wasn’t for some of the overdone climax twists, this movie would have been a 5/5, hands down. This is a fresh take on the whodunnit trope which can only be experimented in the Malayalam film industry. All the other regional and national movie makers need to stop what they are doing and really, deliberately take notes of what is being done right. This movie’s budget is 10 cr or approximately $1.2 million and what it produced is pure entertainment. Yes, it is not a thought provoking, moral preaching movie – it is a fun, entertaining watch which delivers the thrill it promises the audience.