Category: Kdrama

Doom At Your Service

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https://www.netflix.com/

Rating: 4 stars out of 5
Starring: Park Bo-young, Seo In-guk, Lee Soo-hyuk, Kang Tae-oh, Shin Do-Hyun
Where to watch: Netflix
To watch or not to watch: It is one of the best Kdramas out there. It shows the maturity in storylines and side character development we have been asking to see

Tak Dong-kyung (Park Bo-young) lost her parents when she was very young, and had taken the responsibility for her younger brother early, with the help of her aunt. Currently, she is working as an editor for a web novel publishing company. One fateful day, on the anniversary of her parents’ passing incidentally, she discovers that the man she was in a relationship with is married and is expecting a child, and that she has glioblastoma and has about 100 days to live. She goes back to her home all alone, gets drunk and in anger wishes upon a shooting star for the world to end (understandably). As fate would have it, Doom (Seo In-guk) is actually listening, and decides to meet her to fulfil her wish. He introduces himself as Myul Mang, and Dong-kyung makes a deal with him that gives her pain-free 100 days to live as she wants, in exchange for the world to end or someone she loves will die. The rest of the movie is about how she navigates her fate, ironically finds love in Myul Mang and wants to live. In turn Myul Mang starts appreciating humans and their emotions, realises the worth of a life and looks for redemption for himself. The supporting cast in Lee Soo-hyuk as Cha Ju-ik, Dong-kyung’s boss is heart-warming without the drama and his relationship with Na Ji-na (Shin Do-hyun) is also relatable.

This drama defies the standard love triangle which are the norm in Kdramas and by that alone this series sets itself apart. It is also low on comedy and high on emotional drama, making it not similar to the popular Bo-young’s work, Strong Woman. There are some genuine themes touched in this one, like mortality, the futility of life, hope or lack thereof, and world’s fate. In between this, we humans need to find our purpose in life and do everything to achieve it, no matter the grief it brings. It is profound.

Bo-young and In-guk had a good chemistry in the series, and though Bo-young’s screen presence is difficult to equal, In-guk does stand on his own, even though in the story he exists because of and for Bo-young. This is not a typical love story of boy-meets-girl or enemies-to-lovers trope. It is a story of growth, of reliving, of suffering but smiling through it. The side characters are kind of annoying in this set-up, as their story is not as deep or holistic and that is kind of a bummer, but it still offers a relief from the heavy topic of our main characters. Watch this to appreciate the growth we are seeing in Kdramas, let them know that their efforts are seen. It is actually a good story.

No Gain, No Love

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https://www.imdb.com/

Rating: 4 stars out of 5
Starring: Shin Min-a, Kim Young-dae, Lee Sang-yi, Han Ji-Hyun, Lee You-Jin
Where to watch: Prime Video (12 episodes, 60-odd minutes each)
To watch or not to watch: An example of progressive Korean drama which maintains the light-hearted tone throughout

Son Hae-yeong (Shin Min-a) has always shared her mother’s love with her various foster siblings, which has made her evaluate everything in her life in terms of give and take. In a separate development, her workplace is hosting an idea competition with very lucrative benefits and a position that reports directly to CEO Bok Gyoo-hyeon (Lee Sang-yi) at the end of it. But due to the bias against females in the workplace, which doesn’t take the fact that they might bear children and have monthly periods, positively, she knows she won’t be evaluated fairly for the position. To circumvent this issue, she decides to rope in Kim Ji-wook (Kim Young-dae) to be her fake husband, complete with a sham wedding and all. In the parallel, we have Nam Ja-yeon (Han Ji-hyun) who lives with Hae-young, is her foster sister and works as an adult web-series writer, and is very popular. Bok Gyu writes malicious comments on the series, Ja-yeon plans to sue him, and they have their meet-cute. Hae-young’s ex-boyfriend is in the same company and is totally jealous of her husband who has also joined the company and is reporting to Hae-young. The CEO’s secretary turns out to be Nam Ja-yeon’s school friend, who doesn’t know about her adult literature writing career, nor of her run-in with the CEO, and he is looking to transfer departments. All in all, there are much entangled connections sprinkled with hilarity and a bit of conflict regarding Ji-wook’s past and present which might disrupt his tender relationship with Hae-yeong.

In the majority of K-dramas, the story takes an angular turn at the middle point. While the first half is easy-going, funny, with the story about how the main actors fall in love with each other, the second half focuses on the lead actors’ relationship, tone is serious, the main conflict becomes the story. Not in this one! Well, not totally.
The series focuses on Son Hae-yeong primarily, followed by Nam Ja-yeon and then the third foster sister (who is mostly an after-thought). Compared to other K-dramas, the FL doesn’t suffer from main-character-syndrome (too much), and there is an explanation for the times she takes priority in the supporting casts’ lives. She is as caring for the people around her as they are for her. There is some really good humor in the enemies-to-lovers sequence between ML and FL. And the fact that they don’t demonise the non-virginal FL. There is some real progress in the series.
There are some things which might leave the viewer unsatisfied too – like the fact that her calculation only set the sequence of events in motion but did not feature in the story anymore. The story of the third sibling had weight to it – her becoming pregnant out of wedlock, with a cheating boyfriend. (Spoiler alert – she decides to live her life with him despite him being a cheat. Which is Ewww!) Her story would come on in the middle of another scene without any foreshadow and made it very jarring. Almost as if we are forced to remember she exists, which is unfair to the actor who is actually good at her job. Then there is this arc of Hae-yeong’s mother who is suffering from dementia, which is a secret, but not really?! This is one of the reasons the ending left the viewer unfulfilled and without proper closure.

There are many things this series does well and only a few it doesn’t. It is a real step forward towards progress in the field of women’s rights and feminism. The lead is a strong woman who takes unconventional steps to grow in her career. Her career is important to her and she is good at her job. She doesn’t take that for granted. She worked towards what she has received, and not because a chaebol took interest in her. In fact, she helped her ex-boyfriend and current husband in their careers, in small ways. She is undaunted in the face of adversity and retains good humour. What a character!
This series is different in the right way from other K-dramas and just for that reason it merits a watch. The fact that it has only 12 episodes is a bonus!

Sh**ting Stars

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https://www.koreaboo.com/

Rating: 3.5 stars out of 5
Starring: Lee Sung-kyung, Kim Young-dae, Yoon Jong-hoon, Kim Yoon-hye, Lee Jung-shin, Park So-jin
Where to watch: Netflix
Seasons and episodes: 1 season with 16 episodes and around 1 hour per episode
To watch or not to watch: It delivers the promise of K-dramas – it is light-hearted, sweet, and gives hope of finding love to all the singles

Oh Han Byeol (Lee Sung Kyung) is a kick-a** PR manager for Star Entertainment and is usually kept busy handling the escapades of their biggest star Gong Tae Sung (Kim Young Dae). The both of them were friends in college and took separate paths after graduation. Tae Sung resents Han Byeol for a mistake she made which affected his reputation. And Han Byeol doesn’t trust/like Tae Sung as he is notorious and has decided to make her life a living hell. Eventually Tae Sung realises his feelings for Han Byeol and tries to win her over. In the parallel, there are people around the lead actors who have their own paths to finding their respective romance.

The above written synopsis is just about everything in the story. There is little to no depth to the characters or the story built up. But then Kdramas don’t promise anything earth shattering – they are to take your mind off real life, without adding intensity. There is a slight emotional drama related to the male lead’s apparent difficult childhood, but that’s easy to skip.

While this series does some things right, it does lose points on somethings which are touched upon but are not explored, namely the challenges in a celebrity’s life. This can be due to difficult relationships, adopting an untrue persona, etc. Tae Sung had a tough childhood, it is shown that it has impact in his adult life, but how, what and why are still unanswered. The jobs of a PR person and celebrity manager are have a certain set of challenges and are used as a comic relief. It feels hollow and unsatisfactory. The leads are all good actors. The choice of casting Lee Sung Kyung was a good one, as she fits this character and her expressions add to the humour. All in all, do watch it for a nice and breezy break from reality.

Another Miss Oh

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https://asianwiki.com/

Rating: 4 out of 5 stars
Starring: Eric Mun, Seo Hyun-jin, Jeon Hye-bin
Streaming on: Netflix
Episodes: 18 episodes, each close to 70 min long
To watch or not to watch: Should watch, it leaves a happy feeling in the heart

One day before getting married, Oh Hye-young’s (Seo Hyun-jin) (aka just) fiance calls off the wedding, saying he has fallen out of love with her and that he doesn’t like to watch her eat. Understandably devastated Hye-young has only one condition, that the world should know she has called the wedding off. Some time passes, and Hye-young meets Park Do-kyung (Eric Mun) and they start to fall for each other. There comes the twist in the story. Park Do-kyung was engaged to be married to another named Oh Hye-young (Jeon Hye-bin) (aka pretty), who left him on the day of the wedding. One year after that, he hears Oh Hye-young getting engaged to another man, and ruins his business as revenge. Only that woman was not his Oh Hye-young. So yea… Also, Do-kyung is suddenly clairvoyant and can see how the future will pan out.

The biggest reason why this series stands out is because of Oh Hye-young’s (just) attitude. She is the boss. Despite being gossiped about, ridiculed and almost cast away from society for cancelling her wedding, she owns it like a bada**. Whatever her internal emotional state may have been, she never let anyone put her down. Another reason to like the show is because it is good. The story line is very different and refreshing and all the main character and most of the supporting characters were well crafted, they had depth. The human state of mind is pretty rightly defined, there is jealousy, revenge, want of societal acceptance and self-esteem issues. The chemistry between the main characters is lacking though – Oh Hye-young (just) has a better on screen chemistry with her ex-fiance than the man she is supposedly in love with.

K-dramas do know how to play on the heart strings, they have that right. The viewer cannot help but feel Oh Hye-young’s words when she says she is ok to not be happy later, but she wants to be happy now. As with all other K-dramas, the series could have been wrapped up within 12 episodes easily, if they had reduced the work which Park Do-kyung was doing. And his sister’s absurd behaviour was overly exaggerated and at some places stood out like a sore thumb with respect to the tune of the main story. These can be easily skipped. But the rest is well worth the watch, highly recommended.