Category: Disney+

Caught Stealing

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https://www.newyorker.com/

Rating: 3.5 stars out of 5
Starring: Austin Butler, Regina King, Zoë Kravitz,  Matt Smith, Liev Schreiber, Vincent D’Onofrio, Bad Bunny
Where to watch: Netflix
To watch or not to watch: It is a fun ride, delivers what it promises, which is a non-exceptional chase thriller in New York, filled with quirky eccentric characters

Hank (Austin Butler) is a sweet, borderline alcoholic bartender, who is more than an average ball player and one of the biggest fans of Giants. One night, after closing up the bar, he returns home with his non-committed long term girlfriend Yvonne (Zoë Kravitz), only to find that his neighbour Russ (Matt Smith) is leaving for the airport to take care of his sick dad and has given the responsibility of his bad tempered cat Bud to Hank. Little does Hank know that Russ is running away from Russian mobsters who are out for Russ’ blood. They mistake Hank for Russ, and beat to a pulp so much so that he needs to be admitted to the hospital to remove his ruptured kidney. From there, he is contacted by narcotics detective Elise Roman (Regina King), who tells him that the ring of drugs run deeper than Russians. There is the Puerto Rican Colorado (Bad Bunny) who works with the Russians, who in turn owe Hasidic Drucker brothers (Liev Schreiber, Vincent D’Onofrio), basically making a drug dealer’s Ponzi scheme. Fascinating.

The script is tight and clear, two of the most important and underrated things a script should be. It is fun to watch, doesn’t take itself too seriously (unlike Aronofsky’s Black Swan, The Whale, basically his entire filmography) and thus delivers what it promises, which is also not commonly seen these days. Another winning point in the movie’s favour is the character of Hank, who is unlike the macho, testosterone-filled action movie stars we see in these movies (cue: Jason Statham). Is he an alcoholic? Yes. Is he commitment-phobic? Also yes. But he calls his mother daily, is loyal and faithful to his non-girlfriend, takes care of a foul cat. And that’s adorable, and you don’t want the goons to be after someone so adorable. You are rooting for the guy. Even the bad guys aren’t totally bad; they are in a business and are only working to solve for the stolen merchandise. Some of them will observe the traditions set by their grandmothers and follow the rules of their religion (which added a little sumnin’-sumnin’, NGL). The real bad guys are the real surprise. This is a big shift from the regular grim Aronofsky flick, and it is a pleasant surprise that he is willing to experiment (and he goes with the body anti-dismorphia with Austin Butler).

Having said so many good things about the movie, there are some things which the movie fails to deliver. The individual gangsters are mostly cliched, the chase sequences predictable, the romantic storyline adding nothing much to the whole, etc. Basically, the parts that make it a whole, while flowing into each other seamlessly, are nonetheless not surprising. There are some unbelievable points like Hank being able to run right after getting his kidney removed, being a cliched hero with a traumatic past, a die-hard sports fan making him a stereotypical American, kinda make it a bit boring too. But here’s the thing, these parts also fit together, so you need to take the good with the bad, because altogether it is quite pleasant. Will highly recommend for a Friday night chill movie session. Austin Butler has great things ahead of him for sure.

Kishkindha Kaandam

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https://maktoobmedia.com/

Rating: 4 stars out of 5
Starring: Asif Ali, Vijayaraghavan, Aparna Balamurali, Jagadish, Ashokan
Where to watch: JioHotstar
To watch or not to watch: This movie is like an onion – it has layers and will make you cry

Ajayan (Asif Ali) is a forest office who lives close to a reserved forest with this second wife Aparna (Aparna Balamurali) and elderly, retired army officer father Appu Pillai (Vijayaraghavan). Ajayan’s first wife passed away a couple of years back from cancer and his son is missing. Ajayan travels far and wide across the country everytime he gets any news of his missing son. Recently his father, who used to be very alert and sharp, has shown tendencies to forget things, even his licensed revolver has gone missing and there is an investigation underway. Aparna has noticed Appu write things in notebooks and then burn them after a month or so. She discusses this bizarre behaviour with her husband but gets more questions than answers.

It is difficult to describe what happens in this movie, it is all a bit bizarre, until the last act when everything comes together quickly and quietly, like a puzzle piece and it all makes sense in an “Ahhaa” way. The three main characters are believable and understandable – the proud old man unwilling to bend to the effects of old age but unable to stop them, the concerned son with the weight of the world on his shoulders and his new wife who is trying to understand her new environment and adjust to it all like a true superhuman. Along with them are some friends of the family who together fit into the puzzle too.

There is a certain simplicity in good Malayalam cinema which lends a sense of reality to the movies. And this is specially true for Kishkindha Kaandam – the actors depict a very average socio-economic stature and lifestyle. Their characters have friends they have known all their lives and who know them in turn. Despite that there are undercurrents throughout the movie related to the characters differently. Goes to show the wide expanse of human relations and emotions. There are also some deep-rooted moral questions faced by the characters, which they cannot reveal to others because there is humanity, love and sense of protection. As much as the movie is about the thrill, it is more so about the humanity of it all. It will require patience as it is a slow burn, but the understated climax makes up for it.

The Menu

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https://www.hotstar.com/

Rating: 3 stars out of 5
Starring: Ralph Fiennes, Anya Taylor-Joy, Nicholas Hoult, Hong Chau, Janet McTeer, Aimee Carrero, Judith Light
Where to watch: Disney+ Hotstar
Run time: 1hour 47 minutes
To watch or not to watch: An original script, which might not be perfect but is fun to watch

A boat (yacht) is filled with 11 people who are embarking on a journey to a private island called Hawthorn, which has one of the most exclusive restaurants owned by Julian Slowik (Ralph Fiennes). The multi-course meals are $1,250 each, are invite only and are a strictly +1 (or more) event. The meal is an event, yes – the customers tour the entire island which shows the raw ingredients grown/bred, the military discipline enforced and followed by Slowik and his staff, the descriptions of the courses are like a soliloquy by the respective chefs. Only in this case, the soliloquy is followed by terror. Let me elaborate…

The people who have managed to bag a table at the over-exclusive restaurant are 3 finance bros, a washed-out actor with his manager (John Leguizamo and Aimee Carrero), an ultra-rich couple (Judith Light and Reed Birney), a renowned food critic (Janet McTeer) with her obsequious editor (Paul Adelstein) and a self-proclaimed foodie, Tyler (Nicholas Hoult) and his companion Margot (Anya Taylor-Joy). Each meal is presented by the chef with a resounding clap which jerks everyone’s attention to the aforementioned soliloquy on the dish – the reason it was designed, what are the ingredients and what is the emotion the dish is designed to bring to the eater. Each of these courses get progressively darker, including drowning of the man who invested in the restaurant, a public suicide of the sous chef who dared to compete with Slowik, a run for survival by the men while a woman stabs Slowik for sexually harassing her in the past. The list of the macabre activities go on, while there is little to no change in the schedule of the service, complete with the clap and descriptions. The one person who is the proverbial fish out of water is Margot, who is not the initial companion planned by Tyler. This does throw a spanner in the works but not necessarily a bad thing for Margot. Read on…

The movie is supposed to be a satire on the wealthy. The intended message is that, well, wealth corrupts (no shit). The people present during the dinner are pretentious, full of themselves, and in general, have had life easier than most. And that is their biggest crime, according to the movie, that they have had it easier, as depicted by the character of Aimee, who went to Brown and her education was funded by her parents. It is all difficult for a person who hasn’t had these privileges but not sure if the rich are to blame. The whole movie falls short in attaining the premise. What is the crime here? Being rich? Wanting to be rich? Wanting to be the best? Just wanting? There are multiple plot holes which cannot be explained by any amount of explanations, as explanation do not brick and mortar make. Even the climax which has been lauded for its unexpected and triumphant nature is unexpected because it doesn’t logically follow.

The movie is made almost flawlessly. That is, the performances, set design, dialogues, sound, character nuances, lighting, editing, etc is what is great. The only thing lacking is a script which has been worked on till it was sparkling. The audience member will find the movie understandably quite unsettling, as the experience for the clientele in the movie is supposed to be comforting and it is anything but. The problem is when plot holes are left in the core or climax of the movie, everything leading up to it feels false. Why was the 90 min storyline needed, if the 20 min conclusion was going to be cutting corners, you know? The primary emotion this movie left was confusion, like was it a good movie, or just a good execution, because the ending didn’t make sense. Don’t think The Menu will go down well in history.

The Patient

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http://www.hotstar.com

Rating: 4 stars out of 5
Starring: Steve Carell, Domhnall Gleeson, Andrew Leeds, Laura Niemi, Linda Emond, David Alan Grier
Where to watch: Disney+ Hotstar
Seasons and episodes: 1 season, 10 episodes, 20-odd minutes per episode
To watch or not to watch: A must watch for all the thriller lovers, and non-thriller lovers. Will need a tolerance for violence

Sam Fortner (Domhnall Gleeson) is a serial killer, seeing a renowned therapist, Alan Strauss (Steve Carell) because he doesn’t want to kill anymore. Since the information given during the sessions can be used to implicate him in the crimes he commits, he kidnaps Alan and chains him in his basement. He then opens up about the abuse he suffers at the hands of his father, which might be the root cause of his killing behaviour. Alan is shocked to discover the truth about his patient and is appalled by the nature of the crimes. He is also struggling with the loss of his wife to cancer and the estranged relationship with his son. He tries his best to control Sam and also gets out of the captivity. There are bouts of clarity and craziness for Alan as he thinks through his situation.

The series is essentially a two-hander with Steve and Domhnall in leading roles. Other characters like Sam’s mother and Alan’s family come and go. Plus their roles are not entirely centric to the plot. The plot is completely about Sam’s struggle to stop himself from killing people he thinks look down on him and on Alan’s recollection of his past and hallucination of his therapist. The series is a slow burner, but it manages to keep the audience engaged by keeping with the theme of a kidnapped therapist to a serial killer. There are dark humour moments which lend a certain lightness to the theme and maintain balance, otherwise, the viewers might go crazy themselves. Alan’s past is well explored, including his relationship with his religion. It plays a major part in the story too, where Alan compares living in Sam’s basement to living in a Nazi concentration camp. That felt a bit tangential and if they had directly explained the feeling of being trapped, it would have garnered more sympathy.

Hats off to Domhnall Gleeson for this incredibly acted out part – it wouldn’t have been easier playing the role of a person who is so socially challenged. Steve Carell is perfection, but that doesn’t surprise anyone. These two are the main reasons that this series is a wonderful watch. Other reasons are the subject matter itself – imagine a serial killer wanting to get better and struggling. It is almost like Single Drunk Female, but without the hilarity and much severe consequences. It is by no means perfect – if they have given more insight into Sam’s behaviour and how his mother is also partly responsible, it would have made for a better protagonist, who also has some warranted sympathy. Right now, we have to take a lot at face value. Unless one sits and muses on the series, these factors will not take away from the enjoyment. It is highly recommended.

Rosaline

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https://www.imdb.com/

Rating: 3.5 stars out of 5
Starring: Kaitlyn Dever, Isabela Merced, Kyle Allen, Sean Teale, Minnie Driver, Bradley Whitford
Where to watch: Disney+
To watch or not to watch: A delightful retelling of the OG of romance makes for a nice, light-hearted watch

Rosaline (Kaitlyn Dever) and Romeo (Kyle Allen) are boyfriend and girlfriend, and Rosaline is absolutely smitten by the long, blonde haired hunk from the enemy camp. Her father, Adrian Capulet (Bradley Whitford) is attempting his best to arrange a marriage for his only daughter, and the daughter does everything to be as unsuitable a wife as possible. In one such arranged-marriage-date scenario, Rosaline is out on a boat with Dario (Sean Teale), is waylaid by a storm and is late in reaching the (famous) Capulet ball and a pre-arranged date with Romeo. Romeo’s excess of love is not to be hindered by the absence of his lady love, and remedies the situation by falling in love with Juliet (Isabela Merced), Rosaline’s cousin. Rosaline is understandably extremely pissed by this turn of events and now has a reason for intensely disliking Dario. She pursues multiple schemes to deter the couple, loses her moral fiber, sees the wrong of her ways, works to undo the damage and ensure the couple lives happily every after.

This is no 10 things I hate about you or She’s the Man. It is a refreshing retelling of the eponymous love story, which if viewed objectively is deeply flawed. Rosaline doesn’t make the wrongs right, it makes the wrong seem funny and well yes, rights some wrongs. The titular character is independent, intelligent, knows her mind, isn’t patriarchal but does stumble when it comes to non-platonic attraction – something to which a lot of females can relate. Then she has the normal human feelings of jealousy, rage and frustration when things don’t go her way, finally ending with the silver lining to it all when she finds the man who is a perfect match for her (spoiler alert – Romeo and Juliet aren’t too perfect for each other, by the way). It is joyful to see the other side of this mega love story, from the eyes of the jilted lover. It ties in with the character of the easily-swayed Romeo (though not publicised as such).

Rosaline is a movie carried on by female character, doesn’t take itself too seriously and you shouldn’t either. There is no Shakespearean English (comically explained as being difficult to follow in the movie) and no English accents either. It is quirky, female-empowering, and explores love more than first sight. And if taken the time to think about it, it can actually be deep. What Rosaline’s character ends up finding is someone who is at her side when she needs it, calls her antics for what they are and is not completely, totally, irrevocably in love with her, which is more sane and real. Kaitlyn Dever is a delight, she is channeling her persona from Last Man Standing, and it fits well in this movie. To praise Minnie Driver is stating the obvious, but she is a straight-shooter nurse to the impulsive Rosaline and it fits well with the over-all tone. The movie is surprisingly well written and made. It might surprise even the readers of this post as these movies typically are bad. This one is not. Do watch.

Single Drunk Female

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https://www.primevideo.com/

Rating: 4.5 stars out of 5
Starring: Sofia Black-D’Elia, Ally Sheedy, Rebecca Henderson, Sasha Compère, Lily Mae Harrington, Garrick Bernard, Jojo Brown
Where to watch: Disney+
Seasons: 1 season, 10 episodes, 20-odd minutes each
To watch or not to watch: A nice, decently-paced dramedy on adulting

Samantha Fink or Sam (Sofia Black-D’Elia) is an alcoholic. After a major blow-out at her workplace where she arrived late and drunk for a meeting, blamed the “system” and assaulted her boss for firing her, she is mandated by the court to go to rehab, do community service, and is put under probation. As she was broke and without a job, she had to move back home and go through the 12 steps of recovery. Not many people struggling with addiction have a well-functioning family, and such is true for Sam as well. Her mother, Carol, (Ally Sheedy), is not exactly happy to have Sam back, wants to carry on with her life unencumbered after losing her husband. The loss of the father/husband is the major cause of rift between mother and daughter. Anyway, Sam finds help in the AA support group, gets a no-nonsense sponsor, Olivia (Rebecca Henderson), a job in a supermarket under a warm-hearted Mindy (Jojo Brown) and a potential for romance with James (Garrick Bernard). She also confronts the reality of her ex-boyfriend marrying her ex-best friend.

The above synopsis sounds like Mom without the fun, and it is not entirely false. It is only much more than just that. There is hilarity in the struggles of sobering up, a comfort in seeing an adult “adulting”, and succeeding in it. Sam beings as a train wreck but by the end of the 10 episodes, she has been 1 year sober, is more in control of her wants and expectations and that feels like a personal win for the viewer. It is a class of work which makes us wonder why we have the series, since it doesn’t feel like a sitcom, a slapstick and other types of comedies but still delivers. It upends the common belief that humor is in being drunk and consequences thereof, instead there is humor in growing-up while being an adult along with other adults around. Felicity (Lily Mae Harrington) is a single mother who is a party girl, and at the same time, she is highly responsible of her son and her job. This embodies the essence of the series.

Single Drunk Female is made on the real life experiences of the creator Simone Finch, and hence this is not an over-the-top series which makes us live vicariously. Many viewers would know someone struggling with addiction or are that person themselves, and can absolutely relate. It tells us, it is not fun being wrapped up in a childhood which once was, but there is happiness, comfort and pleasure in growing up as well. In this day and age, the media we are exposed to tells us that growing up and taking responsibility is hard and hence it is better not to. This series tells us that that thought is a potential fantasy, and life is hard at all stages, we just need to embrace it nonetheless; there are others who are in the same boat and together we can sort our lives out. This process is not limited to misfits, minority or marginalised groups, but is applicable to one and all. Also, it is refreshing to see new/lesser-known actors and that takes nothing away from the quality of the production. It makes for a light-hearted, feel-good, fresh dramedy which is highly recommended to binge watch.

The Great Indian Murder

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https://celebwikibiography.com/

Rating: 3 out of 5
Starring: Richa Chadha, Pratik Gandhi, Ashutosh Rana, Sharib Hashmi, Shashank Arora
Streaming on: Disney+ Hotstar
Seasons: 1 season, 9 episodes each around 40 minutes
To watch or not to watch: Meh. Won’t be missing out if this is missed

Vicky Rai (Jatin Goswami) is the son of Chhattisgarh’s Home Minister Jagannath Rai (Ashutosh Rana), and is an industrialist in his own right. He is caught by Delhi Police when his car was found with 2 dead bodies of underage girls, creating a frenzy in the media. He is also not exactly the model human being, and doesn’t have any regard for human life. Rightly, he is shot and murdered in a party he has thrown on being acquitted of the crime. Then progresses an investigation which is mired in political agenda, corruption and self-serving mis-directions.

The series is loosely based on the book titled “Six Suspects” by Vikas Swaroop. The people suspected of being involved in the murder plot are his father, a retired IAS officer (Raghuvir Yadav), a petty thief (Shashank Arora), a B-list actress, his step-sister whom he raped when she was 13 years’ old and a tribal from Andaman. There are other characters too, whose job descriptions is impressive, but like in real life, the resume is good but real action is negligible. The creators also forgot that there needs to be six very clear suspects – people who were supposed to be suspected, had no means and those who had the means, had no motive – so either everyone was a possible suspect or no one was.

The series is a complete kaleidoscope of plots, stories and characters. There is a random naxal angle too, and another related to supernatural phenomenon which apparently make sense in the whodunnit genre?! Because that is what this series basically is, a whodunnit. Just a poorly done one. It does keep the audience engaged in the first 3 episodes, then like a parent who is sure their kids are engrossed in the film, they slip out and leave the kids to their own, the series forgets all the responsibilities of the concept of story, time or sequence of events.

Credit where credit is due, the plot is very interesting, and all the characters are well crafted. Richa Chadha and Pratik Gandhi were spot on, surprising no one. Vicky Rai was a truly deplorable character, and the acting makes you hate the actor too. Wish they stuck to the theme and had a better story board for the screenplay. All in all, the series can be skipped.

Only Murders in The Building

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spoilertv.com

Rating: 5 out of 5 stars

Starring: Steve Martin, Martin Short and Selena Gomez

Streaming on: Disney+ Hotstar

Seasons and episodes: 1 season, second in production. 10 episodes, 30 minute each

To watch or not to watch: A must watch, a mandatory watch

Arcadia is a posh Upper-West side New York apartment where Charles Haden-Savage (Steve Martin), Oliver Putnam (Martin Short) and Mabel (Selena Gomez) live. The three bond over their mutual love for true-crime podcast, and don’t you know, there is a murder in their own building. They start their own podcast investigating into the death of Tim Kono. What follows is a series of twists and turns and hidden information surfacing about the three hinting towards nothing-is-as-it-seems. There is even a sly reference to popular sponsorships on podcasts.

The show owns up everything – how everyone is starting their own podcasts these days, the generation gap in communication and challenges faces by people after a certain age. Each episode ends in a cliffhanger, which makes you want more, but also, it is not a tease. This right here is art!

Mentioning the acting skills of Steve Martin and Martin Short is redundant – it is like saying the sun is bright. The real stars of the show despite this cast are the story, dialogue and screenplay. There is one episode in which the sequence of events are shown through the point of view of someone mute, and the whole episode did not have dialogues, or sound in general. That did not take away from the story – it was just weaved in. There is so much to admire. The colour palette, the music, use of graphics to depict textual conversation. But then we come to Selena Gomez. That’s the only gripe with the show – her dialogue delivery sounds like it is played in slow-motion and lacks the punch the wriiten word could have had. Also, her make-up makes her look dry and wrinkly. That’s it. The only negative thing about the show. A show after a long time makes life look better.

Sunflower

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https://www.zee5.com/

Rating: 2.5 out of 5

Starring: Sunil Grover, Ranvir Shorey, Mukul Chaddha, Girish Kulkarni

Streaming on: Zee5

To watch or not to watch: Good in pieces, not as a whole

The story of the series is about the lives of some of the residents of an apartment complex called Sunflower. One morning, one of the residents of the society, Mr. Kapoor (Ashwin Kaushal), is murdered by his neighbour, Mr. Ahuja (Mukul Chadda). What follows is an investigation into the murder by two police officers, Inspector DG and Sub-Inspector Tambe (Ranvir Shorey and Girish Kulkarni). Sonu Singh (Sunil Grover) is the protagonist and falls under suspicion due to his erratic nature. Along with the main story line with a protagonist, we also have an ensemble cast and an insight in the lives of a select few residents and one person each related to them.

Over-all the series is funny, sometimes thrilling and mostly lost. There are too many sub-plots, which have nothing to do with the main plot and have nothing to do in general, except probably elicit some laughs. In each of the 8 episodes, we have Dilip Iyer (Ashish Vidhyarthi) interviewing and rejecting potential residents because of one or the other social bias. There are certain points in Sonu’s character which throw an insight into his past life and make the viewers feel there’s more than meets the eye. All this has nothing to do with the main plot, even tangentially. After about more than half the series is over, you wonder if the series even has anything to do with the murder mystery. Sunflower society and slowly and suddenly takes center stage and things revolve around it.

There is a conflict between the advertisement and the real idea of the series. it comes off as more of an ensemble cast series than a thriller series. Since it is going head-to-head with an acclaimed thriller series, The Family Man, it needed to be made more in-line with the advertisement or changed the messaging. If one has watched these two series together, Sunflower will definitely lose. Though it does go head-and-head with the performances.

The webseries these days have latched on to the nostalgia effect, by getting older actor, who were quite popular in the yesteryears to come back and act in the series. While it is commendable and gets more viewers along with the promise of good performances, it can be overdone, specially when it is the focal point of the series. After finishing watching the series, the only thought that makes a viewer feel they haven’t wasted their time, that all the loose threads and the unresolved sub-plots make for a good foundation for season 2. Right on the heels of that, is the knowledge that each episode is only about 30 minutes long and has only 8 episodes (though it didn’t need even that for the amount of content it had). That might be the only reason for people to watch the second season, to get some closure. All in all, if one is not suffering from FOMO, skip it.

Maigret

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https://tvtropes.org/

Rating: 4.5 out of 5

Starring: Rowan Atkinson, Leo Staar, Shaun Dingwall

Streaming on: Hotstar

Seasons: 2 seasons, 2 episodes each

To watch or not to watch: a must watch for all fans of whodunnits

Anyone who is a fan of whodunnits, will need to know only a few things:

  1. It stars Rowan Atkinson in the titular role as an serious and intense detective
  2. The series is set in 1960s Paris
  3. The episodes are 90 min long and anthological
  4. The plots are interesting and will keep you guessing
  5. It is extremely refreshing to see Mr. Bean being so serious that he forgets to eat. This will throw the viewer off more than anything else

It is an intelligent series with slight bits of red herrings when it comes to solving the case. The most interesting part of the series are the relationships of Maigret with his constables and his wife. they all have single minded determination towards serving justice and respect each other. Not something commonly portrayed these days.

Unfortunately the series got cancelled after 2 seasons, both the seasons are worth the time.

A must watch for all suspense lovers.