CRIMINAL JUSTICE

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To watch or not to watch: Better watch the original BBC Criminal Justice or the American series The Night Of

Starring: Vikrant Massey, Pankaj Tripathi, Jackie Shroff, Mita Vashist

An innocent man Aditya (Vikrant Massey) is in the wrong place at the wrong time. He is regular college student, looking to get to a party by driving his father’s cab. A pretty, rich girl gets into his cab looking to hire and asks him to take her from one location to another and was obviously on drugs. Because of the delay, he misses his party and the girl invites him over to her place, where they drink alcohol, do drugs and have sex. Aditya wakes up in the middle of the night and finds the girl stabbed to death. He remembers nothing and tries to flee the scene of the crime with the murder weapon in hand. Ensues a long legal battle, Madhav Misra (Pankaj Tripathi) being the constant as legal help on the outside, even though he is way out of his depth in this case. Aditya also becomes street smart in the jail with Mustafa’s (Jackie Shroff) help, who runs a gang in the jail. The whole experience strips Aditya of his innocence and takes his family through emotional, financial and societal roller coaster.

The series is a play-by-play adaptation of The Night Of starring Riz Ahmed and John Tuturro, which is in turn an adaptation of the BBC series called Criminal Justice.

It is a 10 episode series which could have just as easily been wrapped up in 5; it is unnecessarily stretched. Pankaj Tripathi outshines everyone as always, playing the role of a down-on-his-luck lawyer with the heart of gold with élan. He is eccentric with little social skills and gives comic relief along with intensity seamlessly. Vikrant Massey is believable as a wronged college student and the character arc throughout the series is heartwarming. Jackie Shroff is given a lot of screen time to appease the star of yesteryear and is the only actor the series could have done without. If someone is watching the series, they can simply skip the parts with him in them.

There is nothing exceptional or attention grabbing in the direction or cinematography – it is primarily about acting and secondarily about the plot. It could have been much better if the social issues like the drug abuse amongst youngsters and class discrimination had been woven into the story line and made part of the reason of accusation, but they lost a lot of opportunity to make the series stand for something and be more than just storytelling. Viewers can easily swap Criminal Justice with The Night Of, which is also on Hotstar.

Meri Pyaari Bindu

To watch or not to watch: A good watch over a slow weekend

Starring: Ayushmann Khurana, Parineeti Chopra

Abhimanyu Roy aka Bubla (Ayushmann Khurana) is the best selling author of pulp horror-sex genre. He is trying to pen a romantic novel and is caught in a writer’s block for 3 years. This effort is leading him to his past and the time he met the love of his life, Bindu Shankarnarayanan (Parineeti Chopra) when he was maybe 10 years’ old. Bindu had moved in the house next to Abhi’s in Kolkata. They strike a friendship which lasts for most of their adulthood. As they grow up, they go their separate ways and drift apart. They do bump into each other’s lives periodically, and one time Abhi confesses his love to Bindu. Their relationship is good as long as it lasts, but eventually, they do part ways.  All the things he has learned about Bindu and life, becomes the protagonist of Abhi’s latest book.

The movie is a potpourri of different romantic movies, a patchwork of sorts – each piece in itself will seem ordinary but together it fits beautifully. the front runner emotion in the movie is nostagia, with Abhi thinking about Bindu and his relationship, compared to the dull existence in his current life. Parineeti Chopra’s role as Bindu is a stereotyped Yash Raj girl, full of life and a rebel. Both the actors’ chemistry on screen seems natural and believable. Their history is out of When Harry Met Sally, where they keep running into each other at different stages of their lives. Towards the end, it takes on a 500 Days of Summer vibe. Because of constant back and forth between now and then, the movie is a bit choppy in parts.

Though it is not a perfect movie, it makes the audience emotional and eager to know how the lives of the characters turned out. The dialogues do not have anything worth remembering or quoting, they are downright pedantic at times. The growth of the characters from kids to middle-aged is mature and kind of validates the mistakes people make in their lives and sends a messge that lives do go on despite that. Watch the movie for the performances and the portrayal of a different mature relationship. It goes well with a glass of wine and popcorn.